She sacrifices her life for a wrongly imprisoned white girl, Valerie Smith ( Susan Dey). Tommy is a black lesbian teenager in a juvenile detention center. The film depicts his life from coming of age to growing old in conservative England. Ī biographical film about the life and times of openly gay and flamboyant Quentin Crisp. The film also made several negative references to lesbianism, with one version of the script containing a character description of Moco, implying that her lesbianism was a result of her surroundings, and what prompts her abuse of Christine and others. In a controversial scene, Christine is raped with a plunger handle by a gang led by Moco. Ī 14-year-old runaway, Christine Parker ( Linda Blair), is sentenced to do time in a girls' juvenile detention center. The controversial production included the first woman ( Valerie Perrine) to be shown topless on public television and only 24 PBS affiliates aired the program. One scene contained two gay men singing the provocative "Let Me Entertain You" as they slowly remove their towels throughout the number. This was a filmed production of the off-Broadway show and aired on PBS in 1973. Nick is upset and confused, and packs his bags and goes home to his mother, without even saying goodbye to his father. When Nick goes to visit his father for the weekend, Doug comes out to him. While his ex-wife knows he is gay, his teenaged son Nick ( Scott Jacoby) doesn't. ĭoug is gay and divorced and living with his partner Gary McClain. Vic Morrow plays Hugo, a gay inmate in the prison. Loosely inspired by the scandal that forced President Johnson's aid Walter Jenkins to resign in 1964. Ī presidential adviser goes missing, and the FBI investigation into his disappearance reveals that he is secretly gay and has been having secret weekly meetings with another man in a rented apartment. South is believed to be the earliest television film dealing with homosexual themes. He is torn by his feelings for fellow officer Eric MacClure (Graydon Gould). Wicziewsky is a Polish army officer living in exile in the antebellum South. You can help by adding missing items with reliable sources. She trains him to change vowel and consonant sounds (“you hold them too long,” she says at one point), and gives him flash cards to practice with at home.This is a dynamic list and may never be able to satisfy particular standards for completeness. The speech coach listens to his voice, then sets out to help him not only deepen it, but to lose all the indicators of what’s considered a gay voice. Because of the ex-boyfriend debacle, Thorpe decides to alter his voice in the hopes of sounding less perceptibly gay.
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To get some professional answers, Thorpe enlists a speech coach who will serve as more than just a research reference.
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Sedaris makes a memorable, stinging observation about the conflicted feelings that occur when one is misidentified as straight. “Do I Sound Gay?” does ask some thought-provoking questions about where this particular “gay-sounding” voice comes from: Is it a subconscious mimicry of the female voices of one’s relatives? Is it a means of telegraphing so that other gay men know of one’s existence? And is a lisp an early indicator of homosexuality? (One interviewee jokes that his speech therapy classmates proved that it is.) Thorpe asks celebrities like David Sedaris and Dan Savage about these ideas, getting candid responses from each about whether they believe they sound gay. This particular aspect of their voices remains curiously unexplored by Thorpe, though I sense it might be a reason why one would mimic their manner of speaking.
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They were also able to get away with verbal murder simply because of the way they sounded-they could say almost anything.
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The former delivers a “Hollywood Squares” punchline that’s as politically incorrect as it is hilarious, and the latter is seen rolling his eyes and antagonizing Brett Sommers on “Match Game.” Since TV wouldn’t allow blatant homosexual displays back then, I always thought Lynde, Reilly and others used their voices as a subversive way of communicating with LGBT members who watched them. As examples of the kind of voice Thorpe is discussing, “Do I Sound Gay?” brings in Paul Lynde and Charles Nelson Reilly.